[Editor's note: As you can tell, this is another review that was too large for the submission form. Actual word count is about 5,200. - Allan]
INTRODUCTION
Unlike many of those who've reviewed this game for RPGnet so far, I'm
not a huge zombie fan. I mean, I like a good zombie movie as much as the
next guy, but not so much that I ever thought I'd be interested in an
RPG with zombies as the sole antagonist.
And yet, a combination of repeated praise for the game, a desire for a
zombie sourcebook for WitchCraft, and interest in upcoming
AFMBE genre sourcebooks finally got the better of me. I wanted to
give this book a try.
So here goes...
CONTENT
Foreward: Everybody Loves
Zombies
An amusing and insightful essay regarding why everybody loves
zombies, by Shane Lacy Hensley of Deadlands fame, who certainly
knows a thing or two about the subject.
Chapter One: The Dead Rise
In addition to the usual Eden book intro chapter information on book
organization and content, this chapter features two entertaining essays:
one on the historical development of the zombie, and another, shorter
one discussing why we call these creatures "zombies" in the first place.
Chapter Two: Survivors
Character Creation
In game mechanics terms, AFMBE defines characters in terms of
five aspects: Attributes, Qualities, Drawbacks, Skills, and Metaphysics.
There are three basic character types, each defined by the size of the
point pools assigned to these aspects:
- Norms: Joe/Jane Average types. Being the traditional
horror movie victims, they're weaker by design than the other two types.
As such, they shouldn't be used in mixed groups if play balance is a
concern to you or your players.
- Survivors: The characters from more action-oriented horror
films. Think in terms of Ripley and Hicks in Aliens, and you'll
have the right idea. In character creation points, they far outshine
Norms in every way except maximum Drawback points.
- Inspired: Although just as tough physically as the Survivors,
these characters get fewer Qualities than the Survivors and fewer skills
even than the Norms. Their big advantage lies in being the only
character type that can start the game with the ability to invoke
Miracles.
(Players of WitchCraft and Armageddon should note that
AFMBE character types are weaker than those found in these games
-- much weaker, in the case of Norms. For comparison's sake, if Ripley
is an AFMBE Survivor, then most "Ah-nuld" characters would be
WitchCraft Mundanes.)
The Attribute scale is 1-6 for humans, with 6 considered extremely rare
and costing more points. The Primary Attributes are nothing
revolutionary: Strength, Dexterity, Constitution, Intelligence,
Perception, and Willpower. Derived from them are four Secondary
Attributes: Life Points (i.e., hit points), Endurance Points, Speed, and
Essence Pool. The latter is a measure of the power of the character's
soul and will come into play most often as it is reduced due to fear or
(for the Inspired) to power Miracles.
Qualities and Drawbacks are simply the Unisystem's version of advantages
and disadvantages. Points gained from taking Drawbacks may be added to
any of the character creation point pools. Although the list is very
generic, most of the Qualities could find use in any Deadworld -- the
Artistic Talent Quality increases the Essence Pool by "strengthening the
soul," for example. A separate list offers Supernatural Qualities and
Drawbacks, half of which are only available to the Inspired.
The skill list is fairly broad -- possibly a little too broad, in
fact, since many of the more civilization-oriented skills will serve
little practical purpose in places under full-scale zombie attack.
Still, considering the wide range of Deadworlds possible, I suppose it's
best to have too many Skills than too few. Skills, like Attributes,
become more costly after 5 points. In addition, certain "Special" Skills
(such as Martial Arts) are harder to learn and so cost more to purchase.
Metaphysics
Of the character types presented in this book, only the Inspired can
purchase Metaphysics. And the only Metaphysics available in this book
are Miracles, the gifts of benevolent Divine powers to the faithful.
The mechanics for Miracles appear to be lifted directly from
WitchCraft. The Inspired purchase Miracles at a flat point cost
during or (at a higher cost) after character creation. The list of
Miracles includes such standbys as Divine visions, healing touches,
holding the undead at bay, and even calling down fire from Heaven. To
use a Miracle, the Inspired simply spend as much Essence as the Miracle
requires. (Or that they think the Miracle requires, in the case
of Miracles with variable Essence costs.) The Miracle automatically
takes effect, although a Willpower-vs.-Willpower challenge may be
required in some cases. The drawback? Lose your faith, and you lose your
powers.
Also included are rules governing the use of prayer and holy symbols by
Norms and Survivors.
I suspect that the relative simplicity of the Miracle rules -- and
therefore the relatively small amount of space required for them -- was
the reason for their inclusion in AFMBE in lieu of other
previously published Metaphysics; however, I don't think they were the
best choice thematically. Sure, there's that whole clerics-vs.-undead
thing, but how often do you see holy men in zombie movies calling down
fire from Heaven or laying healing hands on victims? Furthermore, Magic
(as in Evil Dead/ Army of Darkness), Seer powers (a.k.a.
psionics), and Necromancy (a great source of zombies!) would all fit in
a wider range of Deadworlds, and all of them, unlike Miracles, might be
used by the forces of Evil.
Now, maybe you're wondering why this is such a big deal. After all, what
are the chances of foes in a zombie game throwing supernatural powers at
the PCs, rather than just shambling up and eating them? Fairly good,
apparently -- not only do all Inspired share a Miracle that counters
such powers, but two of the featured Deadworlds feature foes who possess
them.
This still wouldn't be much of an issue if the powers in question
were simply "evil" Miracles. However, they are, in fact, Seer and Magic
abilities imported from WitchCraft, presented in only enough
detail to govern the specific effects listed for the NPCs in question.
I think that insofar as Miracles were included at all, they should have
been the basis for a more generic, all-purpose supernatural power
mechanic for AFMBE. After all, their
"spend-the-points-and-the-power-works" mechanic bears a strong
resemblance to the magic rules in Call of Cthulhu. The Miracles
assigned to the Goth Chick character archetype -- hardly a paragon of
faith in the Divine, one would think -- leads me to believe that at
least one of the authors was thinking in these terms.
As it is, the limited appearance of other powers in this book feels like
a bit of a tease, showing how the authors applied rules in Deadworld
creation to which the GMs do not have access. (Not unless they own
WitchCraft or Armageddon, at any rate.)
Archetypes
The chapter ends with twelve ready-to-play characters -- a nice feature
for any game, but particularly important for a game that's designed in
large part for one-shot adventures.
The archetypes: Athlete, Biker, Cheerleader, Detective, Goth Chick,
Hacker, Police Officer, Priest, Reporter, Scientist, Soldier/SWAT, and
Video Store Clerk. Of these, the Athlete, Cheerleader, Goth Chick,
Hacker, Video Store Clerk, and (to some extent) Detective seem designed
primarily for campy zombie games, while the others are more appropriate
for grim-and-gross Romero fare.
Chapter Three: Shambling 101
The Basic Mechanic
AFMBE, like WitchCraft, Armageddon, and the
forthcoming Terra Primate and Buffy the Vampire Slayer,
uses the Unisystem game mechanics.
The Unisystem uses an Attribute + Skill + 1d10 mechanic vs. a static
target number of 9, applying all modifiers to the roll rather than to
the target number. An Outcome Chart indicates the degree of success
based upon the amount by which the total exceeded 9. Contested rolls
simply go to the competitor with the highest total. Pure Attribute rolls
come in two types: Simple, which uses the Attribute score doubled, and
Difficult, which uses the unmodified score.
The advantage to this system is that it combines the clarity of a
roll-under system with the flexibility of a roll-over system. All things
being equal, the players can determine the outcome of their characters'
actions without GM assistance, yet there is far more room for gradations
of success than is possible with roll-under.
It does have two minor drawbacks, however.
The first is a rather odd open-ending mechanic. On a roll of 10 or 1,
the player rolls 1d10-5 and adds any positive result (on a 10) or
negative result (on a 1) to the total, continuing to open end on further
rolls of 10 or 1. (A sidebar option suggests the use of 1d6-1 instead.)
It would seem easier to me to just take rolls of 1-5 at face value and
treat other outcomes as a zero.
The second is a manifestation of what was known in TORG circles
as the "Glass Ninja Effect" -- more on that under "Combat".
The book also offers three other optional task resolution systems:
random playing card draws instead of dice, playing card hands (to give
the players more control over outcomes, a la Castle Falkenstein),
and "story-driven" (nonrandom) play. The direct comparison of ability
levels and GM-set target numbers used in the latter seems awfully
arbitrary to me, but what the heck? It's just an option.
Combat
Melee combat is a simple matter of opposed skill rolls, with each
combatant getting one attack and one defense roll without penalty.
(Additional attacks and defenses may be made at a cumulative -1 penalty
per attempt.) Ranged combat involves an attack roll modified by
circumstances such as range, visibility, and cover, with the only
possible defense being a dive for cover that precludes other actions
that round.
Damage is rated as a die type and a multiplier, with the average roll
listed to use in place of the die roll if desired; for example, the
damage of a 9 mm handgun is 1D6 x 4 (12). That's merely a starting
point, however. Hit location (if factored in at all) can affect the
damage multiplier, and certain weapons do more or less damage after
penetrating armor -- bullet damage after armor is doubled, for example.
With the Life Point value of the average person being 26, it should be
apparent that gun battles are things to avoid.
High levels of success on the attack roll also increase damage the
attack's damage, and that's where that "Glass Ninja" thing I mentioned
comes into play. Defense rolls have no effect on the attacker's success
levels. So, the more effective a defender, the more devastating the
attack will be that finally tags him.
Armor values are expressed in the exact same way as weapon damage
ratings and work in the same manner: defenders can roll for the amount
of damage their armor deflects or can just take the average roll.
Considering how effective armor of any quality will be against the
relatively weak damage most zombies will be able to dish out, GMs may
wish to make use of called shots and/or the random hit location table
for zombie attacks on armored humans.
Fear
Like any horror game worth its anti-zombie salt, AFMBE includes a
fear mechanic. Fearful situations require a Difficult Willpower test for
Norms and Survivors and a Simple Willpower test for Inspired, with
modifiers applied for more or less extreme horrors. On a failure, the GM
can either mandate the PC's reaction or roll a 1D10, with the PC's
Willpower applied negatively and any horror modifiers applied
positively. If the roll is a "failure" (i.e., less than 9), the victim
quickly recovers. Any success levels are referenced on the Fear Table,
with results ranging from the shakes to a total breakdown. Each success
level also includes an associated amount of Essence loss -- losing all
of one's Essence due to fear indicates that the victim has been
permanently scarred by the experience in some manner.
In general, the fear rules are much more forgiving than Call of
Cthulhu's Sanity mechanic. The ability to resist fear doesn't
degrade as it does in that game, Essence points regenerate on their own
fairly quickly (especially for the Inspired), and outright bouts of
temporary insanity are much less likely. However, players of tough
Survivor types may want to take the fear-resisting Nerves of Steel
Quality to keep their heroes from running away like wimps.
Miscellaneous
The chapter also includes rules for acids, poisons, disease, healing,
experience and character improvement, and vehicles.
While not overly complex, the vehicle rules -- which even include air
combat -- seem to take up an awful lot of space for a zombie game.
Chapter Four: Implements of
Destruction
What good are zombies without ways to blow them into moldy chunks?
Despite the name, this chapter actually covers all equipment, not just
weapons and armor. While the weapons and armors run the gamut from
medieval to modern, all other equipment is modern. (Well, unless you
count horses, included for the sake of the "Dead at 1000" Deadworld.)
Much the equipment receives a full paragraph's worth of description.
Whether this is a good use of space is a tough call. On the one hand,
does anyone not know what a cell phone does? But on the other,
the game mechanics governing that and other devices may become critical
when society starts falling to a zombie plague.
More curious to me was (as in Chapter Three) the amount of space
dedicated to vehicles. It's not that I can't see them ever being
useful; it's just that I don't see them coming into play that often in
most zombie games. I mean, sure, zombies may break a pickup truck window
and drag away the driver, but that hardly involves the pickup's
performance specs. And how often are zombies going to be a threat to an
APC or a helicopter?
At any rate, even if the vehicle stats are not a waste of space, I'd
argue that the vehicle illustrations certainly are. With the
possible exception of the armored personnel carrier and maybe the
Humvee, I'm sure everyone is familiar with the vehicle types listed.
Including pictures of each of them ends up doubling the size of the
section to no real purpose.
Chapter Five: Anatomy of a
Zombie
Here's the (rotting) meat of the book: how to make a zombie. And I'm
happy to report that the modular system used is as elegant as anything
involving shambling undead puss-heads can be.
First we start with a "basic" zombie: a creature that's pretty much like
an average human, aside from being flesh-hungry, immune to pain, smelly,
and dumb as a stump. Instead of Life Points, zombies get Dead Points
("DPs"). For the unmodified zombie, DPs are determined in the same
manner as LPs. (That's actually a bit of minor extrapolation on my part
-- the text only says that DPs are "basically the same" as LPs without
explicitly stating how they're determined.)
Next is a random hit location table and the effects certain amounts of
DP loss have on specific zombie body parts. Most of these effects are
pretty obvious: a zombie with no head can't bite, and a zombie with no
legs can't walk.
>From there we move on to Zombie Aspects. These are special zombie
advantages and disadvantages, each with a positive or negative Power
cost that's used to gauge how tough the zombie is. These Aspects are
divided into categories that cover weak spots, movement, strength,
senses, feeding (frequency and food type), intelligence, infection, and
special powers.
The writers clearly put a lot of thought into these abilities. With
them, you can create an amazingly broad range of zombie types, from the
slow flesh-eating shamblers of Romero's Dead trilogy, to the
fiendishly clever unstoppable brain-munchers of Return of the Living
Dead, to the aquatic Nazi zombies of Shock Waves, to oddities
such as acid-spitting, fire-breathing, super-leaping, exploding zombies!
I could even see using these rules for "psycho killers" like Michael
Myers and Jason Voorhees, although even the toughest zombies will be a
little too vulnerable for that -- I'd recommend using the Relentless
Dead from AFMBE's fellow Unisystem game WitchCraft for
that purpose.
Speaking of vulnerabilities, that brings up one quibble I have with
these rules. If zombies are given a Weak Spot Aspect -- the brain, the
heart, etc. -- they go from having a variable number of DPs based on
Strength and Constitution to having a flat 15 DPs. Now, that's not a
huge problem when you're talking about your basic smelly goon of a
zombie; however, although it's not spelled out here, the same rule
applies to zombie animals as well, as seen some of the featured
Deadworlds. In other words, if the zombies have Weak Spots, zombie rats
are just as hard to kill as zombie bulls. (Granted, that doesn't factor
in offensive capabilities.)
Chapter Six: Worlds in Hell
Rather than one highly detailed setting, AFMBE features no less
than eleven "Deadworlds". In level of detail, these are comparable to
relatively long adventure outlines, including in-character intro
fiction, a brief history of the setting, the status quo, a couple of
plot hooks, and applicable NPC and (in some cases) equipment stats.
In going this route, the book loses a bit of utility for more casual
gamers for anything beyond one-shots, but its value to do-it-yourself-er
GMs increases by leaps and bounds. Since the basic zombie game lends
itself strongly to one-shots anyway, this is a wise choice.
Here are the featured Deadworlds, along with my observations on them:
- Rise of the Walking Dead
Premise: Radiation leakage from nuclear waste stored in
underground caverns -- perhaps in concert with angry spirits -- raises
every dead creature in and around a small upstate New York town as a
flesh-hungry zombie.
Comments: A good choice for a Night of the Living
Dead-style one-shot. The hinted possibility of mutant creatures in
the caverns offers the opportunity to expand the setting from
zombies-only into Resident Evil-like mix of adversaries. The limited
scale of the zombie plague makes this Deadworld less useful for
campaigns unless the GM plans on playing out the plague's spread.
- PHADE to Black
Premise: An obsessed young man uses an occult ritual to bring
back his dead girlfriend as a zombie lover. Unfortunately, he learns
first hand what happens when you have sex with a zombie who, in life,
was HIV-positive. (For the record, what happens is that you become the
first victim of PHADE, a supernaturally mutated AIDS virus that turns
its victims into semi-intelligent vampiric zombies who set about the
business of wiping out humanity. Oops.)
Comments: The first of several Deadworlds in which the zombies
are well on their way to taking over. One plot hook offers a possible
solution to the plague, so the PCs could end up saving the world. The
zombies may have been inspired by the zombie-vampires of I Am
Legend.
- Grave Impact
Premise: China, Russia, and the U.S. join forces and destroy an
asteroid on a collision course with Earth. ("Hooray! We're saved!")
Unfortunately, it turns out that the asteroid was the result of a race
of alien necromancers blowing off part of their planet to get rid of the
zombie plague they'd unleashed upon themselves. And now the Earth's been
dusted with zombie-raising space debris. ("Oh, wait* No, we're not*")
Comments: Another zombie world takeover setting, and perhaps the
most hopeless -- as written, there's no solution. If your players
require a happy ending -- which, granted, would be odd for players in
this particular subgenre -- be warned. On the other hand, the
implications of the zombie's source could lead to an interesting
campaign, if you can find a way to explore them.
- Sacred Soil
Premise: A great new organic fertilizer creates plants that grow
into and animate animal corpses of all sorts.
Comments: Again, society is crumbling and the zombies are well on
their way to victory. The twist is that because the zombies increase
their numbers by planting the bodies of the dead, they're taking over
the rural areas and the humans are fleeing to, not from, the cities. As
in "PHADE to Black," one plot hook offers a solution. Because the world
seems completely mundane aside from the zombies, I think this one would
work best as a one-shot.
- They Came From Beyond
Premise: An alien race consisting of giant amorphous Queens with
powerful psionics and centipede-like Drones that enter and re-animate
the corpses of the recently deceased has chosen Earth as the next target
for its galaxy-wide reign of terror.
Comments: The basic concept seems to have been drawn from the
1986 movie Night of the Creeps. These zombies are bound to throw
the PCs for a loop, since they look and act like the living. This could
lead to some great 1950s-style paranoid fun a la Invasion of the Body
Snatchers or Invaders from Mars as the PCs try desperately to
convince skeptical authorities of the threat, leading up to a military
hive assault worthy of Aliens! Woohoo!
- Mein Zombie
Premise: It's 1944. Just in time for D-Day, Hitler's occult
researchers discover a serum that resurrects those who die with it in
their veins as flesh-eating zombies! Barely smart enough to use a rifle
-- and not smart enough to reload one -- they nevertheless serve as the
uberweapon that repels the allies on all fronts and strengthens the
walls of Fortress Europe.
Comments: Nazi zombies! What more do you want? Perfect for
a lower-key Weird Wars campaign or for playing out Castle Wolfenstein.
There's plenty of room to expand beyond zombies, too, if you like -- who
knows what else those pesky Nazi occultists have gotten up
to?
- After the Bomb
Premise: In the aftermath of World War III, fallout from a
Chinese variant of the neutron bomb leads to the birth of a strangely
mutated strain of radiation-resistant human* humans who return from the
grave as enormous, nigh-unstoppable radioactive mutant zombies!
Comments: A fine example of thinking outside of the box. (Or
casket, as it were.) Here, the zombies are powerful individual monsters
akin to undead mutant ogres, not comparatively weak members of a
shambling horde. There's plenty of room for a campaign as-is if your
players would enjoy a realistic (aside from the zombies) post-apocalypse
setting. And if you want more weirdness than the zombies alone can
provide, the effects of the bizarre radiation give you a perfect
excuse.
- Dead at 1000
Premise: At the turn of the first millenium, a Satanic Venetian
necromancer raises an army of the dead to destroy the world because...
well, because he's evil!
Comments: With old-fashioned flesh-eating shoot-'em-in-the-head
(with-an-arrow) zombies, fanatical Satanic cultists, a monstrous demon,
and a great pulp fantasy wizard who you just know has a menacing
cackle, this Deadworld is definitely my top choice for an extended
campaign. Incidentally, since the sorcerer's chief opposition is the
Vatican, it's also an ideal setting for Inspired heroes. The only thing
I might change is the intelligence of the zombies, making at least some
of them smarter -- this setting seems to call for more actively
malicious and cunning zombies rather than just the wandering
shamblers.
- Until the Ending of the World
Premise: Understandably, people tend to think of a zombie
takeover as the End of the World. Well, in this case, they're right. No,
I mean literally. God's finally decided to wrap things up, and
His chosen method for cleaning house and sorting the wheat from the
chafe is (you guessed it) zombies! If you can remain faithful in the
face of the zombie threat, you eventually get to go to Heaven. (And if
you're faithful and peaceful -- not even harming a zombie -- the
zombies won't even hurt you!) If not, well... you figure it out.
Comments: This one could be pretty challenging for GM and player
alike. The GM will have to factor in the fact that the PCs, if properly
motivated, can make themselves completely immune to the zombies. And the
players have to decide whether they want to try to get into Heaven, to
serve Hell (by fighting the zombies of the Lord and the
do-gooders of the world!), or to just stay alive.
- Dawn of the Zombie Lords
Premise: In the present day, the dead rise -- possibly as shown
in one of the other Deadworlds. Then, in the near future, certain
special humans with the ability to control the zombies step forward and
carve out kingdoms for themselves across the globe, warring with each
other and crushing those who refuse to submit.
Comments: A choice that gives you the mindless zombies without
the total chaos that normally goes along with them, leaving room for
interaction, intrigue, and espionage as well as zombie head-shots. This
could be another interesting place for the Inspired, as the Zombie Lords
would no doubt see such individuals as an unacceptable threat to their
rule.
(One oddity: The fiction earlier in the book set in this Deadworld shows
a Zombie Lord summoning a blizzard, but there's nothing in this section
to indicate that the Zombie Lords have powers beyond those governing
zombies.)
- Rebirth Into Death
Premise: The gods who normally govern reincarnation have gone off
to war on each other. In their absence, the orderly process of
reincarnation has broken down. Souls are reincarnating into the bodies
of the dead, awakening hungry for living flesh* And you're one
of them.
Comments: Easily the freakiest of the Deadworlds. The PCs zombies
are self-aware yet unable to speak. Will they find a way to communicate
with humans, give in to hunger and eat them, or be destroyed by them
first?
STYLE
First off, the book is 7.25" x 9.25" and hardcover, and I love
that. It's a sturdy little book that's easy to carry around. The pages
don't lay flat, but you can't have everything.
The art's almost all excellent, with styles ranging from straight-ahead
gore to (as on the cover) hallucinogenic nightmares. As I mentioned
before, the illustrations aren't really necessary in the vehicle
section, but elsewhere the artwork is very restrained. The layout is
remarkably clear, even by Eden's normally high standards.
The writing is delightful, never taking itself too seriously outside of
the fiction. And the fiction is damned creepy, with a separate
story opening each chapter and illustrating a different Deadworld. The
few typos I encountered were of no consequence.
The back of the book features not only two indices -- one general, one
for charts -- but also an appendix listing zombie tales in print and
film, a glossary, and character and zombie creation tables for easy
reference.
CONCLUSION
After reading this book, I'm still not inclined to run a zombies-only
game, either as a campaign or as a one-shot. However, I am very
enthusiastic about running a mostly-zombies game and about using
this book as a zombie sourcebook for WitchCraft.
My biggest problem with the book is the Metaphysics issue, which I feel
could have been addressed either by generalizing the Miracle rules or
else by condensing some other areas -- the vehicle rules and stats, for
example -- to make room for other powers.
But that's a relatively minor complaint. The main point is that the book
does what it sets out to do: It allows for the creation of a wide
variety of zombies, and it shows how zombies can be used in a wide
variety of settings. And for the most part, it does these things very,
very well.
Okay, let's get down to ratings.
Style is an easy 5.0. Great art, great writing.
Content is a trickier matter, since I can see several distinct ways in
which the game might be used, and the rating will vary depending upon
how you use it.
If you want to use the published Deadworlds for one-shots, it gets a
5.0. There's plenty to keep you busy for a long time.
If you want to use the published Deadworlds for campaigns, my
rating drops to 4.0. There's still plenty of information and potential,
but using them in this way will take a bit more effort.
If you plan on using the book to create your own Deadworlds for
one-shots or campaigns, the rating could be anywhere between 4.0 and
5.0, depending upon how far beyond a "zombies only" setting you want to
go. Duplicating the amount of "stretching" done in "They Came From
Beyond" or "Dead at 1000" will require other game books or your own
rules.
As a zombie sourcebook for another game, I give it a 4.0. The zombie
rules a great, but the $30 price tag is a little steep if that's all you
get out of the book.
My final Content rating is a strong 4.0, although I can see how others
might rate it as high as a perfect 5.0. It all depends upon how much you
expect from the book, and I suspect most of the flaws I see are simply a
result of overreaching rather than of omission.
Bottom line: This is a rock-solid book, both physically and in content.
It kicked my enthusiasm for the subject matter up by many notches, and I
look forward to the upcoming supplements. So if I, a merely casual fan
of zombies, enjoyed the book as much as I did, then you owe it to
yourself to get it if you're a hardcore zombie lover.
(Just be careful not to catch PHADE.)
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